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2024 SKR-SCR JAHRESTAGUNG | CONGRÈS ANNUEL | CONVEGNO ANNUALE

Die Rolle der Nachhaltigkeit und ökologischen Verantwortung in der Konservierung und Restaurierung: Neue Ansätze und Perspektiven
Le rôle de la durabilité et de l’eco-responsabilité dans la conservation et la restauration : nouvelles approches et perspectives
Il ruolo della sostenibilità e della responsabilità ecologica nella conservazione e nel restauro: nuovi approcci e prospettive

 

SKR JAHRESSTAGUNG IM RAHMEN DER MESSE CULTURA SUISSE
Das Thema Nachhaltigkeit beschäftigt uns auch im Zusammenhang mit der Erhaltung von Kulturgütern. Nicht nur aus der Perspektive der Sammlungsobjekte und Denkmäler, deren langfristige Erhaltung das Hauptziel unseres Berufs
ist, sondern auch aus der Perspektive der Materialien und Räumlichkeiten, die wir in unserer Praxis verwenden. Welche Materialien verwenden wir bei einer Restaurierung, wie verpacken wir Kulturgüter für den Transport? Wie lagern wir
eine Sammlung im Depot? Wie können wir die Lagerbedingungen und den Energieverbrauch dieser Orte verbessern? Wie können wir die Nachhaltigkeitsprinzipien der ökologischen Verantwortung, der Kreislaufwirtschaft, des Recyclings und des Naturschutzes in die Konservierungs- und Restaurierungsprozesse integrieren? Erfüllt ein Objekt, das einen kulturellen Erbstatus erlangt und damit aus dem Konsum-Recycling-System herausfällt, als Zeugnis einer Innovation den ökologischen Bedarf unserer Welt oder wird es zu einer nergieaufwendigen Belastung?
Mit der Tagung 2024 möchte sich der SKR dem Thema widmen und es aus den unterschiedlichsten Blickwinkeln beleuchten.

pdfDownload: Programm

 

CONGRÈS ANNUEL DE LA SCR DANS LE CADRE DU SALON CULTURA SUISSE
Le thème de la durabilité nous préoccupe également dans le cadre de la conservation des biens culturels. Non seulement du point de vue des objets de collections et des monuments dont la préservation à long terme est l’objectif principal de notre métier, mais également des matériaux et locaux que nous utilisons dans notre pratique. Quels matériaux utilisons-nous pour une restauration, comment emballons-nous les biens culturels pour le transport ? Pour leur stockage ? Comment améliorer les conditions de stockage et la consommation d’énergie de ces lieux ? Comment pouvons-nous intégrer les principes d’éco-resonsabilité, d’économie circulaire, de recyclage et de protection de la nature dans le processus de conservation et de restauration ? Est-ce qu’un objet qui acquiert un statut patrimonial et ainsi sort du système de consommation-recyclage répond au besoin écologique de notre monde en tant que témoin d’une innovation ou devient un fardeau consommateur énergétique ?
La SCR consacre son congrès annuel 2024 à ce sujet et souhaite l’aborder sous tous les éclairages possibles.

pdfDownload: Programme

 

CONVEGNO ANNUALE DELLA SCR NEL QUADRO DELLA FIERA CULTURA SUISSE
ll tema della sostenibilità interessa e coinvolge anche il mondo della conservazione e restauro dei beni culturali. Non si tratta solamente della conservazione di oggetti a lungo termine, ma bensì anche l’impiego dei materiali che si utilizzano per il restauro e l’imballaggio di opere d’arte. Quali materiali utilizziamo in fase di restauro? Come imballiamo le opere per il trasporto? Come immagazziniamo gli oggetti e opere di una collezione in un deposito per una corretta conservazione? Come possiamo migliorare le condizioni di conservazione in rapporto al consumo energetico dei depositi? Come possiamo integrare i principi di sostenibilità della responsabilità ecologica, dell‘economia circolare, del riciclo e della conservazione della natura nel processo di conservazione e restauro? Infine, un’oggetto che acquisisce lo status di cimelio e quindi non rientra nel sistema di riciclo dei consumatori soddisfa le esigenze ecologiche del nostro mondo come testimonianza di innovazione o diventa un peso che consuma energia?
Con il Congresso 2024 la SCR intende dedicarsi all’argomento e illuminarlo dallepiù diverse prospettive.

pdfDownload: Programma

 

Venerdì, 12. Aprile 2024 - 09:00 until 18:00
Bern, BERNEXPO, Congressraum 1

Online-Kurs des Hornemann Instituts der HAWK

Proposte di formazione continua Externe Veranstaltung
Prenotati: 0 | Free Seats: Unlimited

Internetbasierter Lernkurs des Hornemann Instituts der HAWK Hochschule für angewandte Wissenschaft und Kunst Hildesheim/Holzminden/Göttingen im Sommersemester 2024: Schimmel und Schriftgut von Friederike J. Nithack M.A.

Lunedì, 06. Maggio 2024 until Domenica, 30. Giugno 2024 00:00 - 00:00
Online-Kurs

15. Jahrestagung für Universitätssammlungen

Congressi e conferenze Externe Veranstaltung
Prenotati: 0 | Free Seats: 120

Neue Rollen, neue Ziele? Universitätssammlungen im Spannungsfeld von Forschung, Finanzen und Politik

Giovedì, 13. Giugno 2024 until Sabato, 15. Giugno 2024 10:00 - 14:00
Universität Zürich, Rämistrasse 71, 8006 Zürich

How do you do it? Transmitting Embodied Knowledge across Generations in Contemporary Art Conservation

Congressi e conferenze Externe Veranstaltung
Prenotati: 0 | Free Seats: Unlimited

International Symposium, HAWK, Hildesheim, 21 of June 2024

Participation is free of charge. Limited seats. Binding registration by email at: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.

Embodied knowledge refers to the tacit understanding that resides within the body, which allows us to perform and refine tasks without having to consciously consider every step of such action. In the realm of complex artworks, which often contain technology-based or performative components, this knowledge is anchored within the artist’s vision, developed and fine-tuned throughout their career, and transferred often implicitly to their assistants through years of experiencing the artist’s creative process. Custom-made devices, unique installation techniques and aesthetic preferences define the artwork. However, these individualised tweaks tend to defy traditional forms of documentation, raising the question: How can we effectively impart embodied knowledge to others?

Bringing together experts from an array of disciplines, the symposium aims to refine the understanding of concepts such as implicit, tacit, procedural, and embodied knowledge. Participants including linguists, sociologists, conservators, artists, artist’s assistants, art historians, curators and representatives of artists’ estates will delve into the functioning of embodied knowledge and share experiences and best practices for intergenerational and interdisciplinary transmission.

Further information

21.06.2024
HAWK, Aula, Hohnsen 2, Hildesheim

Call For Papers "Performance: Conservation, Materiality, Knowledge" - 36th Congress of CIHA Lyon 2024 Matter/Materiality

Call for Papers Externe Veranstaltung
Prenotati: 0 | Free Seats: Unlimited

We are thrilled to invite paper contributions to our thematic session, "Performance: Conservation, Materiality, Knowledge" to be held at the 36th Congress of the International Committee for the History of Art (CIHA, June 23-28, 2024 in Lyon, France) on the theme "Matter Materiality."

 

Call For Papers "Performance: Conservation, Materiality, Knowledge" - 36th Congress of CIHA Lyon 2024 Matter/Materiality, June 23-28, 2024, Lyon, France

We are thrilled to invite paper contributions to our thematic session, "Performance: Conservation, Materiality, Knowledge" to be held at the 36th Congress of the International Committee for the History of Art (CIHA, June 23-28, 2024 in Lyon, France) on the theme "Matter Materiality."

Performance art is often considered an immaterial medium. Yet its immateriality is belied not only by the many material physical traces it leaves behind – including documents, costumes, and other objects – but also by the insistent, if ephemeral, materiality of the human body. This proposed panel seeks papers on the topic of performance’s materiality considered through the lens of conservation. What is the relationship between a performance and the materials it leaves behind, and what experience of the performance can be gleaned from them? Do photographs, “relics,” and other objects replace an absent body, thus smothering performance’s liveness, or do they refer melancholically to an unfillable lack? How might we understand the materiality of the body or, indeed, that of non-human performers such as animals, machines, or even bacteria? How can the material or immaterial elements of a performance be conserved? Though performance has sometimes been considered beyond the realm of art conservation, its increasing presence in museums and museum collections has rendered these questions urgent.

Encouraging global perspectives and particularly those from underrepresented contexts, we are calling for papers from scholars, conservators, artists, curators and others that take a theoretical or practical approach to exploring the various materialities of performance and their role in its continuation. We encourage contributions from all over the world that explore the conservation of contemporary, historical or indigenous performance; comparative examples of modern Western and non-Western conservation practices of performance conservation; performative elements in material art forms; the materiality of the performing body and its documentatory potential; the persistence of performance through physical elements or traces; the role of orality in the conservation of performance; aspect of continuity of performance in indigenous cultures; non-human performance and its conservation; care-thinking and communities of care and performance conservation; or any other relevant topic.

This panel is organized by team members of Performance: Conservation, Materiality, Knowledge - Hanna Hölling, Jules Pelta Feldman, Emilie Magnin, Joanna Lesnierowska and Charles Wrapner - a research project sponsored by the Swiss National Science Foundation and hosted by the Bern Academy of the Arts. While there has been increasing interest within scholarship and curatorial practice in performance and its afterlives, this research project is amongst the first to broadly and acutely address the problem of performance conservation both outside and inside institutions.

Submissions must be in either English or French and should include:

-a title

-350-500 word summary

-500 characters CV

The proposals can be submitted via the official CIHA Congress Call for Papers website on or before 15 September 2023: https://www.cihalyon2024.fr/fr/appel-a-communications.

Important dates:
Opening call for papers: 12 June 2023
Closing call for papers: September 15, 2023
Selection: October 11, 2023
Publication of the preliminary program of the 36th CIHA Congress: 27 October 2023
Conference dates: 23 to 27 June 2024

The presentations will take place in person in Lyon at the Congress Centre – Cité internationale. Mobility aids will be available on the website: Call for Grants (https://www.cihalyon2024.fr/fr/appel-a-bourses).

For further information on the call for papers, visit the Call for Papers (https://www.cihalyon2024.fr/fr/appel-a-communications), the Frequently Asked Questions (FAQs https://www.cihalyon2024.fr/fr/faq) or contact the CIHA Scientific Secretariat: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.

For any technical question regarding your submission, please contact: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.

For any questions regarding content calls for papers, contact the session chairs at Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo..

Organisation

International Committee for the History of Art (CIHA)

Website

https://www.cihalyon2024.fr/fr/appel-a-communications

Domenica, 23. Giugno 2024 until Venerdì, 28. Giugno 2024

TRADITIONELLES HANDWERK – PFLEGE UND VERMITTLUNG

Der von der Stiftung Pro Kloster St. Johann und ihren Partnern organisierte Workshop soll der Vernetzung und dem Erfahrungsaustausch zwischen Institutionen des In- und Auslands dienen, die im Bereich der Pflege des traditionellen Bauhandwerks tätig sind, und so das Weiterleben der lebendigen Handwerkstraditionen fördern.

Giovedì, 05. Settembre 2024 until Mercoledì, 11. Settembre 2024 14:00 - 17:00
Müstair, Kloster St. Johann

Resilience: Adapting heritage preservation to future challenges”

Call for Papers Externe Veranstaltung
Prenotati: 0 | Free Seats: Unlimited

NKF-Danmark has the pleasure to invite proposals for the upcoming 23rd Triennial NKF Congress preprint.

The Congress topic is

RESILIENCE: Adapting heritage preservation to future challenges.

Our wish is to set focus on preservation ethics, practices and goals in a rapidly changing world. We would like to offer space for discussion on resilience in conservation and of the conservation profession; how the field adapts to changes in climate and biodiversity, international political structures, colonial dynamics and other contemporary issues. Furthermore, we would like to broaden the discussion on how heritage preservation can contribute to a change of conduct amongst people, institutions, and society.

The 23rd Triennial NKF Congress aims at showcasing the newest research topics in heritage preservation in the IIC-Nordic Group and likewise invites international researchers to bring their knowledge to northern Europe. We believe in the importance of inclusion and sharing with our communities and gaining new perspectives from it.

Therefore, we encourage interested speakers worldwide, with background not only in conservation but other heritage-related areas, and expertise within the theme of the congress, across gender and gender identities, age, religious and ethnic background, to submit an abstract on one of the topics below:

Resources & sustainability. Keywords: Humans as a resource, interdisciplinarity, sustainable practices in architecture, conservation, archaeology, and environmental conservation

Co-creation & collaboration. Keywords: Interdisciplinary collaborations, inclusion, traditional practices, representation, ownership, responsibility, volunteering

Conflict & care. Keywords: Repatriation and representation, decolonization, recovery, emergency response, raising awareness

Change & persistence. Keywords: Education, heritage skills, legislation, heritage communities and organisations, digitisation

The topics include but are not limited to the abovementioned keywords.

Submissions of up to 400 words must be sent to Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo. no later than 11:00 pm CET on 5th November 2023. The authors of the accepted abstracts will be notified by 1 December 2023, and will receive instructions on the further process.

Please state the topic you would like your submission to be considered for, as well as whether you will commit to a full article or an extended abstract for the preprint. Please note that only the full articles will be peer-reviewed.

Get the latest news of the conference and calls by subscribing to our newsletter at www.nkf-dk.dk/congress2024

Giovedì, 03. Ottobre 2024 until Venerdì, 04. Ottobre 2024